A woman, I loved once
---loudly.
Even her soundless quiet
towers the smallest soul
In stalking feet
“Who stole the soul
From its home?” she sings in stormy colored
hurricane harmonies
Upstage
Six silver steel strings are dressed and waiting
Fresh sticks are ready for rhythm breaking
Skin caresses twinkling saxophones
punch drunk with electric breath
Tendriled keys with girlish pitches
fish for a tune to bait
aquarian hips set in sizzling shimmering swaybacks
out of the whole of mouth, however,
is a formless voice that gives no wind--
There is a woman I once loved.
the spirit of her softest kiss
levied oaks and willows
her wail unearths the dead from their respite
her tears call forth the moonlight that lie upon lakes
they spill into the streets
augmented by bruised blackness
mistaken for blues
she undresses my memory
until I am naked with the shame of
my past
in a minor
she gives me all of her
thick body
in wide blues and violets and greens and reds
riveting praise
I am a bevy of her
Speech
Subject to her verbed word
In human form
I am unchaste
From the unrequited stickiness
Between the man that i am that which I could be
She speaks in song, a roaring rubble---
Lengthening my longing with heavy lips
------snap---------
i am flattened
by the spiteful difference
There is a woman, whom I once loved,
whom
once loved me.
I left her
In a dim corner
The brightest light
In Philadelphia
The stillborn star of free will
I am unworthy, even of her hate.
Tonight, I will touch you
love you
hope you are her
pray that I am me
But in that still moment
when you call my name
I hear her,
love her
so loudly.
Wednesday, December 27, 2006
Friday, December 22, 2006
Consider it a blessing
Knowing that the chains are broken on my behalf
I lay to rest my battle,
Like wind to the wound
heavy memory irreligiously crushes the simplest wishes
Yet, I am encouraged
Today, I break bread with my past
Though it is thick, hard willed, and obdurate
big bodacious desire, buttered hopes I offer for
Hard heeled words, hungry for higher ground
I lift my coldest hope to my lips, cup it in my hands and drink
Knowing the chains are broken on my behalf
Today I break bread with my past
With an opulent, full bodied faith,
A generous hope
A faultless love
That feeds the soul that which the body cannot
I lay to rest my battle,
Like wind to the wound
heavy memory irreligiously crushes the simplest wishes
Yet, I am encouraged
Today, I break bread with my past
Though it is thick, hard willed, and obdurate
big bodacious desire, buttered hopes I offer for
Hard heeled words, hungry for higher ground
I lift my coldest hope to my lips, cup it in my hands and drink
Knowing the chains are broken on my behalf
Today I break bread with my past
With an opulent, full bodied faith,
A generous hope
A faultless love
That feeds the soul that which the body cannot
Thursday, December 21, 2006
the five finger discount (a gigan)
You too, can create a gigan. The Gigan is created and named by Ruth Ellen Kocher
(http://aboutaword.blogspot.com/2005_06_01_aboutaword_archive.html)
after one of her favorite godzilla movie-monsters.
The form consist of 16 lines in following order:
couplet (2-line stanza)
tercet (3-line stanza)
couplet
couplet
couplet
tercet
couplet
The 1st and the 11th line are the same.
The 6th and 12th line are the same.
be careful. After you read mine you will see what i mean...
****
peace on earth
whipped like wind
against a burning fist full of five finger discounts
a gritty smile plays coyly against empty eyes
he's all stomach
the booty was sparsely won
but opulently gained
skipping over his own heart
he imagines babygirl's ears ringing in the new year
legs hoisted up over his narrow back
peace on earth
the booty was sparsely won
but feverishly dreamt--and fully his
he smiled at the act, effortless as his execution
until his sweet prize
with the force of all five fingers, discounted him.
(http://aboutaword.blogspot.com/2005_06_01_aboutaword_archive.html)
after one of her favorite godzilla movie-monsters.
The form consist of 16 lines in following order:
couplet (2-line stanza)
tercet (3-line stanza)
couplet
couplet
couplet
tercet
couplet
The 1st and the 11th line are the same.
The 6th and 12th line are the same.
be careful. After you read mine you will see what i mean...
****
peace on earth
whipped like wind
against a burning fist full of five finger discounts
a gritty smile plays coyly against empty eyes
he's all stomach
the booty was sparsely won
but opulently gained
skipping over his own heart
he imagines babygirl's ears ringing in the new year
legs hoisted up over his narrow back
peace on earth
the booty was sparsely won
but feverishly dreamt--and fully his
he smiled at the act, effortless as his execution
until his sweet prize
with the force of all five fingers, discounted him.
the silent opus
the curl of the cup
against the lip
red
as the rice
from unbecoming
shades
"...as caustically haunting as red on china", critics say…
one, two, four beats
it is
as is
the light
of the world
punctuated by darkness
her moonlit moan slides
rashly
down her throat
pungent and piercing
if she were in her own
the songs would come
unrestained by the
wanderlust white
of the milk
as it pours
soundlessly on sable skin
rich with spite
unforgivingly bright
against the black faced stage
if she were in her own
her opus would be mundanely beautiful
she'd refrain from her refrain
her genius her own undoing
instead she's
tasting life
raw and hot
from
the foreshadowing
eating sheer will
until
there is no room
for the distended dissatisfaction
her,
un,
be
come - ing
un be com ing
unbecoming
as they said
she
would
the last note lingers
unmolested
it
rips the veil of their "ohh's"
in a rapidly rising troubled resonance
it tolls;
absence waters their
reddened ears
still
lost in the light
she
never hears
against the lip
red
as the rice
from unbecoming
shades
"...as caustically haunting as red on china", critics say…
one, two, four beats
it is
as is
the light
of the world
punctuated by darkness
her moonlit moan slides
rashly
down her throat
pungent and piercing
if she were in her own
the songs would come
unrestained by the
wanderlust white
of the milk
as it pours
soundlessly on sable skin
rich with spite
unforgivingly bright
against the black faced stage
if she were in her own
her opus would be mundanely beautiful
she'd refrain from her refrain
her genius her own undoing
instead she's
tasting life
raw and hot
from
the foreshadowing
eating sheer will
until
there is no room
for the distended dissatisfaction
her,
un,
be
come - ing
un be com ing
unbecoming
as they said
she
would
the last note lingers
unmolested
it
rips the veil of their "ohh's"
in a rapidly rising troubled resonance
it tolls;
absence waters their
reddened ears
still
lost in the light
she
never hears
Tuesday, December 19, 2006
hope
warm weathered
still standing
I touch a moving universe
it sticks to my fingers
luminous and translucent
Like silk, it pulls.
Where would I be without
my questions
soaring high over a milky bay?
the light from
far away stars
beautiful
and rash
nursing my sorrows
forever waiting?
still standing
I touch a moving universe
it sticks to my fingers
luminous and translucent
Like silk, it pulls.
Where would I be without
my questions
soaring high over a milky bay?
the light from
far away stars
beautiful
and rash
nursing my sorrows
forever waiting?
Tuesday, December 05, 2006
the fish fry: a cautionary tale
why? because
she smokes;
even against better judgment
eats grits with butter, despite the cholesterol
and she’s hungry. Add to that
a philandering good-for-nothing
two bit desire
two parts liquid longing
allowed to boil and billow
over open barrel blues
served raw with sizzling peaches
sans
-- the pits
her saving grace-
wedding vows broken
before the stone faced china
a man who loved the idea of her,
like fat free buttermilk
it's the teeth. they said
gottabetheteeth.
opulent, square, they rest in the beveled
corners of brown lips
dripping with diamonds
that make even mighty panties
drop mighty
quickly
frying up rendezvous
two by two; over easy
ma'am, he says breathily
i'll take mine to go
her frizzy curls suck the humidity like a pipe
sticking to her neck like skin
she's archetypical
tar black and nappy headed
on saturday nites the only kitchen
she's fingering
is the pulse of the stolen moment
on the cusp of venus touch, moon rising
hearing her heart
pirouette in his obsidian stomach
a slip of his hand bows to her greatness
under a wind blown sheer dress
she's been told not to soil
they crushintolove
not
easy on the eggshells
eyes open
eating hot id, greedily, and bare handed
that southern style
sweet meat
that flakes
like fish
when hot
he offers himself
stirring her soulfully
golden glass bubbles
blow from
the cast iron
so quickly
they never saw the trigger
she smokes;
even against better judgment
eats grits with butter, despite the cholesterol
and she’s hungry. Add to that
a philandering good-for-nothing
two bit desire
two parts liquid longing
allowed to boil and billow
over open barrel blues
served raw with sizzling peaches
sans
-- the pits
her saving grace-
wedding vows broken
before the stone faced china
a man who loved the idea of her,
like fat free buttermilk
it's the teeth. they said
gottabetheteeth.
opulent, square, they rest in the beveled
corners of brown lips
dripping with diamonds
that make even mighty panties
drop mighty
quickly
frying up rendezvous
two by two; over easy
ma'am, he says breathily
i'll take mine to go
her frizzy curls suck the humidity like a pipe
sticking to her neck like skin
she's archetypical
tar black and nappy headed
on saturday nites the only kitchen
she's fingering
is the pulse of the stolen moment
on the cusp of venus touch, moon rising
hearing her heart
pirouette in his obsidian stomach
a slip of his hand bows to her greatness
under a wind blown sheer dress
she's been told not to soil
they crushintolove
not
easy on the eggshells
eyes open
eating hot id, greedily, and bare handed
that southern style
sweet meat
that flakes
like fish
when hot
he offers himself
stirring her soulfully
golden glass bubbles
blow from
the cast iron
so quickly
they never saw the trigger
Friday, December 01, 2006
one thing is needed
In Memory of Officer Kaliah Harper
inspiration passages....
“Martha, Martha,” the Lord answered, “you are worried and upset about many things, but only one thing is needed." Luke 10:38-41
2 Now the earth was formless and empty, darkness was over the surface of the deep, and the Spirit of God was hovering over the waters. 3 And God said, "Let there be light," and there was light. 4 God saw that the light was good, and He separated the light from the darkness. 5 God called the light "day," and the darkness he called "night." And there was evening, and there was morning—the first day.
I sense your name
Upon the shadows
You beckon to me with full voice
Speak to me with a clear mind
The vine is empty,
But the soul is full.
I sense your name upon the shadows
your awkward dream cushions me
chariots of your speech
deliver me from my moment
Your voice burns my mind
it sears; it kisses my charred lips
the nape of the dawn
dissolves my mourning ashes
with the cool dew of your might
You hover above my destiny
linger in every mourner
The heaviness of your hope
Heralds even ears to cry
I sense your name upon the shadows
The gleaned price
Because he who lives, dies
And he who dies, lives
All that a man might do means
Nothing
at the final hour
Without your breath billowing over the darkness
Beckoning our arrival
We mistake as life
I sense your name upon the shadows
And
Matchless
Holy
Mighty
Excellent
Is Thy name.
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